Baramulla Review: A Haunting Blend of History and Horror
Directed by Aditya Jambhale, “Baramulla” attempts to merge the historical tragedy of the Kashmiri Pandits with a supernatural horror narrative, starring Manav Kaul and Bhasha Sumbli.
Opening Impressions
The film opens with its title displayed in Hindi as [translate:बर्मूल]. Initially, the significance of the word seems unclear, but as the story unfolds, an unsettling white flower from the opening scene lingers in memory, symbolizing the film’s eerie undertones.
Plot Overview
The storyline follows Rizwan (Manav Kaul), a Muslim police officer who relocates to Baramulla with his wife Gulnar (Bhasha Sumbli) and their two children. Soon after their arrival, inexplicable events disturb their new life.
- Their daughter detects a strange odor that no one else senses.
- Their young son begins witnessing what appears to be a ghostly figure.
- Meanwhile, the town faces a wave of mysterious kidnappings, with children being abducted and turned into militants.
Escalating Horror
Chaos deepens when Rizwan’s daughter disappears and is reportedly converted into a militant. Gulnar’s haunting visions further shatter the family, turning their once serene home life into a living nightmare.
Critical Analysis
“The film tries to blend the tragic history of the Kashmiri Pandits with elements of supernatural horror, but the question is — does it work?”
While the premise addresses an emotional and politically sensitive subject, the execution lacks the psychological depth and authenticity it demands. The pacing drags, and realism often gives way to cinematic tropes designed for shock rather than empathy.
Verdict
“Baramulla” can entertain viewers willing to overlook logic for fear and suspense. However, those seeking thoughtful storytelling and emotional resonance may find it unsatisfying.
Author’s Summary
The film “Baramulla” struggles to balance historical trauma with supernatural horror, resulting in a slow yet atmospheric exploration of fear and loss.