Lynne Ramsay Is Still Cutting ‘Die My Love’ — in Her Mind, at Least
Director Lynne Ramsay reflects on the process of refining her new film “Die My Love” after its Cannes premiere, considering audience reception and her persistent creative adjustments.
A Distinctive Cinematic Journey
Ramsay has taken each of her films — poetic yet confrontational explorations of fractured psyches — to the Cannes Film Festival. Her body of work consistently examines emotional breakdowns and individual isolation through intense visual storytelling.
- 1999 – “Ratcatcher”: Set in impoverished Glasgow, it follows a boy facing family tragedy and an uncanny pull toward a mysterious canal.
- 2002 – “Morvern Callar”: Samantha Morton portrays a woman who claims her late boyfriend’s novel as her own after dismembering and burying him in the Scottish mountains.
- 2011 – “We Need to Talk About Kevin”: A chilling portrait of maternal trauma, where Tilda Swinton plays a woman shattered after her son commits a school massacre with a bow and arrow.
- 2017 – “You Were Never Really Here”: Starring Joaquin Phoenix as a mercenary haunted by PTSD, the film earned Ramsay the Cannes Best Screenplay award.
Returning to Cannes
After an eight-year hiatus, Ramsay’s latest work, “Die My Love,” premiered at Cannes in May and divided critics and audiences alike with its intense emotional energy and experimental structure.
“Die My Love rippled divisive aftershocks along the Croisette,” one festival observer noted, pointing to its raw, unfiltered power and discomforting intimacy.
Ramsay continues to reimagine her film long after the festival cut, demonstrating her perfectionist approach and ongoing dialogue with her own creativity.
Author’s Summary
Lynne Ramsay remains an uncompromising artist, constantly revisiting her film “Die My Love” while reaffirming her reputation for fearless, psychologically driven storytelling.